Bollywood

In her latest film Mulk Taapsee Pannu plays Aarti Mohammed, a lawyer in the holy city of Varanasi. Despite the low glam quotient of the film, I liked Taapsee’s understated style in Mulk. Her look provides excellent style inspiration to working women who want to look smart, crisp, elegant and powerful.

So how does Taapsee Pannu get the right look in Mulk?

Taapsee’s Mulk style statement

Taapsee Pannu’s work and off-duty looks in the movie are practical and pragmatic, simple and fuss-free. She looks like a woman who takes minimum effort in getting dressed which is why her look will work for many Indian women who constantly juggle between work, home and countless other responsibilities.

Though Aarti Mohammed is an Indian woman, she lives in London with her husband Aftab. Hence Taapsee’s style is in line with international standards. She opts for a no-frills, minimalistic style that you would see on most women abroad, except that in Mulk her look is mostly based on Indian wear.

What’s more, her minimal look extends to her beauty choices. Taapsee’s hair has been cut short and she leaves it open when she’s at home. Reflecting her role as a woman from a modest family, she wears almost no makeup.

Taapsee Pannu’s work look

Aarti is a serious lawyer and it shows when she dresses for court. In court, Taapsee is nattily dressed in white and black as mandated by court rules. She wears a crisp white shirt with slim-fit black trousers that taper at the ankle. Her accessories are a thin black belt and black loafers.

Even if you’re not a lawyer, this simple look of a tucked-in shirt with a belt and loafers are enough to make a great impression at work.

Try these suggestions to get Taapsee Pannu’s courtroom look in Mulk:

White shirt from Vero Moda, available on Jabong

Black trousers from Marks & Spencer, available on Jabong

Black loafers from Allen Solly, available on Amazon.in

Taapsee Pannu’s casual look

Taapsee’s trademark style at home is simple, straight-cut cotton and linen kurtas. The kurtas’ sleeves are elbow-length and they come with formal collars. This means mandarin collars, not the round and V-necklines that we see everywhere. The kurtas are solid and void of any prints, embroidery and embellishment.

Take a look at this tweet Taapsee Pannu posted from the sets of Mulk:

Inka naam hai Aarti… Poora naam….. Jald hi pata chalega …
Next one…. #Mulk pic.twitter.com/fJVsl2VUyY

— taapsee pannu (@taapsee) October 15, 2017

However, her kurtas are NOT BORING, because they have little detailing like a long button placket and a bit of piping around the collar. Taapsee has skipped the ubiquitous churidar, instead opting for straight-fit pants. Tiny diamond earrings and flat kolhapuri-style slippers complete her Indian casual look.

Here are my recommendations to adopt a look similar to Taapsee’s in Mulk.

Kurta from W

Diamond earrings from Caratlane

What did you think of Taapsee Pannu’s look in Mulk? Would you adopt such a look at work or at home?

In Films, Women

The year of badass women in films

Speaking ChicJune 9, 2017June 8, 2017Leave a comment

I’m tired of watching timid women in films, in whichever language they may be. I’m tired of them playing second fiddle to male protagonists, and I’m especially irritated with the stereotyped, hollow and misguided projections of “modern” women in Indian films (Alia Bhatt in Dear Zindagi, Sonakshi Sinha in Noor).

But 2017 has given me some hope. I’ve seen women kick bigtime ass in films, I’ve seen women who won’t take no for an answer, and I’ve seen women who won’t let others decide their destiny.

Like this one:

Gal Gadot playing Diana in Wonder Woman

And these:

Ramya Krishna playing Sivagami in Baahubali: The Beginning and Baahubali: The Conclusion

Anushka Shetty playing Devasena in Baahubali: The Conclusion

Taapsee Pannu playing Shabana in Naam Shabana

*Cue applause.*

And here is why I love them:

They fight. And how.

They fight, and not just physically. Not just by kicking or punching a villain, or by cutting off a perverted man’s hand. They fight society’s expectations, and they fight to save other’s lives. And, even better, they fight for themselves.

I loved watching Gal Gadot as Wonder Woman taking down the bad guys, and Taapsee Pannu as Shabana extracting revenge. The immense satisfaction I got from seeing their toughness just blew me.

They are self-centred, but selfless and loving too.

Hurray for multidimensional women. They exist around the world, but very rarely on screen.

Whether it’s Diana (aka Wonder Woman) or Devasena from Baahubali: The Conclusion, they are clear about what they want- learn to fight, be a better archer, hunt down a kiiller. And they will do whatever they can to reach those goals.

But that doesn’t make them bitches.

Because they still care about people. They fight to protect their kingdom, to protect their country and to save humanity.

They have men in their lives.

How many times have we girls heard the line, “Men don’t like women who are too ambitious or career-focused, so don’t be so driven”?

Sorry folks, but just because we like to do “unconventional” things doesn’t mean we can’t fall in love or have a man interested in us.

Thankfully, the men in these films are more in touch with their masculinity and like to see women fight. They cheer them on during a fighting match, and share their own skills with them (remember the three-arrow hold in Bahubali: The Conclusion?). And thank god for that.

Because yes, there are such men in real life too and the world needs to see them. Not all men want their wives or girlfriends to be damsels in distress or be totally dependent on them.

But…

All these films have their flaws in their treatment of women characters, especially in their relationship with male protagonists (and that’s a blog post for another time).

Nevertheless it’s refreshing to see such wonderful roles for women in popular cinema in Bollywood and Hollywood. It’s even more awesome that audiences are watching and accepting these films.

Maybe the time will soon come when film makers won’t have to rely on big-ticket male actors to attract audiences, and have women do some REAL stuff on screen. Stuff that is mostly confined to men.

It’s too early to celebrate path-breaking female characters on the big screen. But there is some hope…

In Fashion, Food

Friday Films: Chutney and La La Land for food and fashion

Speaking ChicJanuary 20, 2017January 18, 2017Leave a comment

Food Film: Chutney

An extra marital affair, small town gossip, an annoyed domestic help and a seemingly-innocent housewife are blended expertly to create the intriguing story of Chutney. As the special chutney recipe is revealed, the home-grown green chillies are not the only secret ingredient we discover. Tisca Chopra’s performance is stellar as she shares her recipe and narrates a sinister tale. Meanwhile, I’m craving samosas with spicy chutney.

Watch Chutney here if you haven’t seen it already.

Fashion film: La La Land

La La Land is a delightful musical journey. Even several days after watching the film I couldn’t get City of Stars out of my head. Aside from the breath-taking view of Griffith Observatory and the Hermosa Beach pier, I was taking mental notes on the costumes. There was none of the sloppy-but-standard jeans and tee combos for the sweethearts. Emma Stone’s chic and flattering dresses in solid yellow, blue, peach and green have given me major fashion goals, while Ryan Gosling’s always-dapper look should hopefully inspire gentlemanly dressing.

In Events, jewellery

Bollywood jewellery, Minawala style

Speaking ChicOctober 2, 2014Leave a comment

Over the decades, most creative fields in India (from dance to fashion) have been strongly influenced by Bollywood and the people who make it glamourous. This season, it’s Minawala’s design team that’s caught the Bollywood bug and has created a collection that follows Bollywood trends and style.

I got a good look at the Bollywood by Design collection when I visited the Minawala store last week. The range is about drama, glamour, beauty, grace and charisma. In jewellery trends, this has been translated into colour, exclusivity, highly stylized contemporary designs, and of course, a touch of OTT.

Take a look at these colourful earrings from the Minawala collection:

Rightly so, there were also plenty of diamonds in the collection, used artistically with precious and semi-precious stones to create several multi-coloured pieces of jewellery. The stand-out pieces were statement earrings, oversized cocktail rings and multi-tiered necklaces.

My favourite piece? This kada featuring beautiful diamonds in several cuts.

Some fashion tips I picked up from the Bollywood By Design jewellery:

Fashion is fickle- it changes every season. But jewellery trends are everlasting. Invest in a few good pieces and you could wear them forever, unlike clothes which you need to discard every season or at least once a year.

Go OTT with jewellery when you want to look glamourous like the stars. Team your diamond jewellery with a stylish dress or gown for an evening out. It’s okay to “over dress”, but make sure you don’t resemble Diwali fireworks.

Use colour (plenty of it!) in clothes, accessories and jewellery. While fashion dictates specific colours every season, jewellery trends don’t usually follow such rigid stories, which makes choosing your jewellery easier.

Wear a statement piece of jewellery for an elegant look. It could be dangling earrings, an eye-catching cuff or ring. Diamond jewellery can be worn on all occasions, but is best suited for classy, tasteful style.

While we usually choose our clothes first, and then our jewellery, why not try dressing the other way round once in a while? Pick the piece of jewellery you wish to highlight, then put together the rest of your ensemble. 🙂

Minawala’s Bollywood By Design collection is available at Minawala stores in Mumbai, New Delhi and Bengaluru.

In Bollywood Fashion

Bollywood Fashion: Sonam Kapoor does a double desi, which Indian look should you wear?

Speaking ChicJuly 23, 2013July 22, 2013Leave a comment

Sonam Kapoor- the fashionista. Sonam Kapoor- the willingly typecast actor? In both her new releases (Raanjhanaa and Bhaag Milkha Bhaag), the young actor is seen in similar desi girl styles, although from different eras. Even so, it would be tough to pinpoint an outfit from a specific movie.

Sonam Kapoor is the typical small-town girl in the movies- demure and tongue-tied in the 1950s-based Bhaag Milkha Bhaag; and educated and confident in the present day Raanjhanaa.

Here’s my take on Sonam’s looks from both the movies.

Sonam Kapoor as Zoya in Raanjhanaa

Costume Design: Payal Saluja

In this movie set in Varanasi and Delhi, Sonam Kapoor starts off as a pretty school girl (Zoya) who evolves into a shrewd college graduate with a political inclination.

Sonam’s clothes in Raanjhanaa feature deep Indian earthy colours that blend well into Varanasi’s crowded markets. She’s mostly wearing cotton kurtas with contemporary prints, that include paisleys and geometric Indian designs. These prints are quite commonly spotted in Indian stores, and are perfect for the girl-next-door that Sonam plays.

The kurtas have a border with a hint of embellishment or detailing (like gold thread work), and her outfit is completed with a contrasting dupatta. Sonam’s accessories are mostly jhumkas of various colours, shapes and sizes, carefully paired with her ensembles. As a look, Zoya’s style is easy to achieve and imitate if you’ve got the right mix of kurtas (available everywhere) and jhumkas (those too).

BTW, I’ve noticed recently that most actors playing young women from small-town India are spotted in colourful kurtas and jhumkas (example: Kangana Ranaut in Tanu Weds Manu). Are there no other accessories available to these girls?

Sonam Kapoor as Biro in Bhaag Milkha Bhaag
Costume Design: Dolly Ahluwalia

In Bhaag Milkha Bhaag, Sonam Kapoor’s Biro is a typical 1950s girl. Living in not-so-dandy conditions near the railway tracks, she steps out to fill water from the community tap every morning. Her Punjabi attire is a super-short kurta, and, surprise surprise(!) a patiala salwar. And there’s a contrast dupatta again, with her red chunnari playing a somewhat significant role in Milkha Singh’s life and memories.

I’m not sure if this is what young Punjabi women wore in the Fifties, but if they did I hope they know the short kurta-patiala combo wasn’t really flattering. The extra wide patiala salwars and voluminous gathers that Sonam wore aren’t exactly meant for well-built Punjabi women. But the mismatched print combinations and floral prints were just right– portraying Sonam as a lower middle class girl who has little time or inclination to do matchy-matchy to make it in time for the tap water. Her rustic appearance is kinda rustic with unstyled hair and plain kada and balis (so no makeup, and almost no accessories).

It won’t be a good idea to try aping Sonam Kapoor’s Bhaag Milkha Bhaag look, as you would most likely come across as a behenji in 21st century India. Milkha Singh’s legend may live on, but the fashions from his era most certainly don’t!

In Bollywood Fashion

Bollywood Fashion: Get Deepika Padukone’s Yeh Jawaani Hai Deewani looks in just one step

Speaking ChicJune 4, 2013June 4, 2013Leave a comment

Deepika Padukone can wear almost anything and look pretty in it. In Yeh Jawaani Hai Deewani her character Naina wears a whole variety of clothes and looks great in all of them. Unfortunately, Deepika’s looks in the movie are as stereotyped and predictable as the storyline, sometimes inappropriate and sometimes just bizarre. I’m not too impressed with costume designer Manish Malhotra’s styling for this movie.

Either way, if you want to adopt Deepika Padukone’s looks, here’s a simple one-step guide to the three key looks she dons in the movie.

Geeky student

The plain Jane Deepika wears squarish geeky glasses that indicate her studiousness, with simple printed dresses covered up with a light jacket or cardigan. Her straight hair is pulled back into a ponytail or held back with a hair band. BTW, on cold nights, while camping in the Himachal outdoors, Deepika looks surprisingly cozy in knee length dresses!

One step look: Dark rimmed glasses.

Transformation time

Deepika Padukone’s transformation from geeky girl to sexy lass was completed in the most predictable way– by getting drunk, swapping the spectacles for contact lenses, and ditching the comfortable outfits for tiny shorts and prancing around during Holi (when most Indian women want to stay indoors).

One step look: Hot shot pants

Head-turning hottie

Once the transformation was complete, we didn’t get to see much of Deepika until a grand wedding in Udaipur. At the wedding, Deepika is pretty much the centre of attention with tiny blouses and low waist lehengas. With her low neck kurtas that are barely concealed by a dupatta, Naina is ultra feminine and desi sexy.

One step look: Midriff-baring lehenga or tight kurta.

Which Yeh Jawaani Hai Deewani look do you want to try?

In Bollywood Fashion

Chic Preview: Kai Po Che fashion is “nondescript” says Niharika Khan

Speaking ChicFebruary 22, 2013February 24, 2013Leave a comment

I’ve been watching the trailers of Kai Po Che over the past couple of weeks, and it doesn’t seem to be a movie high on fashion. The costumes are underplayed and “ordinary”, given that the story is about ordinary middle class boys in a semi urban setting.

But like all (good) movies, there’s careful thought, research and planning effort put in to make the costumes an integral part of the film, building characters and giving the story time and location context. I spoke to the film’s costume designer Niharika Khan about her approach to this script and how she dressed the lead actors. Here’s what she said.

The Fashion Look
You read the script, have a long chat with the director and present to him the framework of the movie’s look. In the case of Kai Po Che, the film is set over a period of 10 years starting in 2000. We wanted the look to follow a certain pattern. The fashion was to be nondescript. There’s so much happening in the film and we wanted the focus to be in the film not the clothes.

The Lead Characters
Sushant Singh Rajput’s character Ishaan is an athlete, a cricketer who has a bit more money than his two friends but doesn’t know what to do with it. He’s not interested in fashion and it would be his dream to play cricket in ganji and shorts.

Raj Kumar Yadav (Govind), on the other hand, is a typical Gujarati baniya, but he knows that how he looks is how he will be perceived. So he goes out of the way to look good and though it’s nothing slick, it is correct. He probably gets his clothes done by a tailor. Amit Sadh’s Omi craves to emulate people like his best friend. He’s mostly in chappals since he needs to go in and out of the temple where his father is head priest.

Costume Research
Since the film’s setting is lower middle class Ahmedabad in 2000, I studied the textiles and fabrics to see what was available for me to do the costumes. Everything was tailored according to the film’s context and the characters. The idea was to be as local as possible. For instance, Omi would perhaps wear a block printed shirt with trousers. What emerged was a dark colour palette for the leads and their families. The only character in bright colours is Vidya, played by Amrita Puri. She is a tad fashion-conscious.

On the Actors
The three young actors are very talented and have distinct personalities. And when you have a successful movie, of course people will want to look like them. So people Ishaan would wear an India jersey, or vest and shorts, while Omi would wear a block printed shirt with corduroys.

UPDATE (February 24, 2013):

My Take:
I saw Kai Po Che this weekend and thought that the costumes were just right given the characters and context. Most noteworthy was the arc of Amit Sadh’s character Omi. As a priest’s son, he wore locally made block print shirts in bright colours. But with his transition into an aspiring politician, he grew a moustache and began to wear long cotton kurtas. The uneven/ roughish texture of the fabric made it seem like hand spun cotton, for which Gujarat was once known.

Kai Po Che releases February 22, 2013 across India.

In 2013, Bollywood Fashion

Bollywood Fashion: Inkaar’s style will make you want to work in advertising

Speaking ChicJanuary 24, 2013January 23, 2013Leave a comment

Inkaar’s fashion is kinda agency-style cool. You’ll want to wear Chitrangada’s pencil skirts or Arjun Rampal’s blazers. Either ways, it’s a stylish introduction to ad agency fashion though agency guys will tell you they dress cooler and way more relaxed. After all, they can get away with chappals to office and Simpsons tees on a regular working day.

If you want to dress for success, join an ad agency, or just know how to dress like either of the two super-hot actors, read on.

Chitrangada Singh: Awkward junior to bitchy boss
Maya Luthra’s transition from a gawky copy writer to National Creative Director (NCD) is documented through varying levels of bitchiness and change in wardrobe.

So from baggy printed peasant blouses, messy hair and chin piercing, Maya gradually moves to crisp blouses, designer accessories, formal dresses and blow dried hair. Her put-together look (by Nick Roy) and choice of accessories might be too jarring for a chilled-out work place. Statement neck pieces, Louis Vuitton belt, and well-coordinated totes would stick out like a sore thumb among the Angry Birds slippers and Fab India kurtas. But hey, Maya’s NCD and I know women would want to dress like her (including me).

The only fashion faux pas were the few “revealing” outfits Chitrangada wore. The unwritten “no-cleavage-in-office” fashion rule was broken, and the sari blouses covered way too little though there was good reason to highlight her sex appeal.

Get Chitrangada Singh’s Inkaar look:
Team a pencil skirt with a pastel blouse that flatters your skin tone and figure. Accessorize with solitaire earrings (real diamonds if you can afford them), killer pumps in neutral or pop colours, and a statement watch. Apply nude makeup with special focus on the eyes.

My favourite piece: The pencil skirt!

Arjun Rampal: The suave, smart CEO

Arjun Rampal’s character Rahul Verma is a small-town guy who has made it to the top and is now “grooming” young talent (which involves sleeping with the new girl). He seems to be the serious type– staying aloof, not smiling much, and wearing dark-rimmed spectacles. BTW, those glasses make him look handsome in a geeky sort of way. The mature look by Niharika Khan suits the actor wonderfully.

His workwear choice is semi-formal and smart casual, such as shirts with smart jackets and blazers. The colour palette is largely blue and grey with some additional subdued colours that a career man would wear. I especially liked the dull green blazer with elbow patches.

Get Arjun Rampal’s Inkaar look:
Wear a lightly-coloured formal shirt with interesting detailing such as a contrast placket, collar or cuffs. Add a blazer in a colour of your choice with slim fit trousers or dark jeans (depending on where you work). Put on a pair of glasses that suit your face shape, preferably with dark rims. Skip the tie, but do wear lace-up or slip-on leather shoes.

My favourite piece: The glasses—they would make any man look instantly mature and sexy! 😉

In 2012, Fashion

Magazine Update: Dior, Diesel steal covers in November

Speaking ChicNovember 26, 2012November 26, 2012Leave a comment

Dior gets three

Dior has made it to three fashion magazine covers this month- a good hit rate (and well-thought strategy). So you see Dior cover Vogue ( on Shweta Nanda), GQ (Ajay Devgn), and Marie Claire (Soha Ali Khan).

I could imagine Shweta Nanda in Dior. Maybe even Soha Ali Khan (she’s got royal blood). But never Ajay Devgn- he’s too rugged, too massy and too unfashionable for high fashion, right?

But Vijendra Bhardwaj, who’s styled Devgn on the cover and photo feature, has got the actor looking surprisingly at ease comfy in designer wear. Or maybe it was Devgn’s best-kept fashion secret or he’s a brilliant actor. Nevertheless, Vijendra’s done an excellent job in this shoot.

Vogue goes social?

Meanwhile, I am surprised with Vogue’s choice of cover girl- they had earlier made a shift from top models to Bollywood stars. Are they moving to the high-class social circuit now? It’s highly possible, given that Bollywood is quite devoid of classy and fashionable folks and that the Bollywood-loving audience may not be the ideal (or real) Vogue reader. Wait and watch!

Roberto Cavalli for Sonam Kapoor– again!

A couple years ago, Sonam Kapoor shot a spread for Vogue with Roberto Cavalli at his mansion in Italy, wearing only the designer’s creations. In November’s issue of Grazia, Sonam’s done a repeat (though not at the Cavalli mansion). Sonam dons Cavalli on the cover and in the photo feature. Too bad there’s no mention of any exclusive contract or deal.

Diesel cares about Women’s Health

Women’s Health is not exactly a fashion magazine, but it’s certainly aspiring to be seen as a upscale one, with focus on intelligent content and an appealing layout. Diesel seems to be taking it seriously- since it’s everywhere in the magazine this month. Kalki Koechlin wears Diesel on the cover and the photo feature inside, the inside cover two-page ad is Diesel, and there’s a special photo feature dedicated to a jacket’s multi-tasking ability. That jacket is, of course, a Diesel.

In 2012, Bollywood Fashion

Bollywood Fashion: Sabyasachi dresses Sridevi as typical shypical housewife in English Vinglish

Speaking ChicOctober 8, 2012October 7, 2012Leave a comment

English Vinglish is among the most heartwarming movies I’ve seen recently and Sridevi’s performance was real, moving and tear-inducing. And the lucky leading lady has had the chance to wear Sabyaschi Mukherjee on-screen for the first time. (He wasn’t The Big Thing during her heydays).

As Shashi Godbole, Sridevi’s costumes are apt, true to the character and take her through the most exciting journey in her life. The clothes bind Shashi and set her free, they blend her into the crowd and make her stand out.

Sridevi’s Look

Shashi Godbole is a typical Maharashtrian housewife- she puts family before self, loves making laddoos and has simple tastes. Sabyasachi and Gauri Shinde (the director) have underplayed the clothes in the movie, but if you’re an avid fashion buff, you’ll see the fashion arc as the story progresses.

Shashi Godbole is not a fashion follower nor is she ostentatious, so you won’t see her in sequins (not even on the wedding day) or low-cut blouses. On a typical day, she prefers cotton saris with a border and Indian hand-woven motifs or prints. Her colours are carefully chosen Indian palette: blues, greens, pinks, maroons. No Yashraj-style shaded saris or flowing georgettes- she is about sensible dressing, not sensuality. Hence the hanky curled in her hand at all times, and the long choti (plait).

In bed, she wears light cotton saris (like the one below)- mostly white ones with small prints. I remember seeing my grandmom wearing those kind of saris almost everyday, they kept her cool in hot and humid Mumbai and seemed to be easy to drape.

Sridevi in New York

Once in the US, Sridevi begins to experiment a bit. It’s her way of looking good in a big city where she is an obvious misfit because of her clothes and language problems. Some interesting pieces from the NYC wardrobe:

· Tiny Indian-style checkered saris with contrast borders (one sari has multiple borders)

· Bolder colours and prints for the days she’s happy (I spotted a couple of Sabyaschi’s standard prints- like this one below).

· Playing with textures- a single sari has a hand-spun cotton pallu and pleats with a lighter hued body that could be in cotton silk.

Sridevi imitates Elizabeth Taylor

The trench-coat-over-sari picture that you’ve probably seen in the publicity stills is the only style statement in the film with a story behind it. While shopping in India, Sridevi tries on a trench coat at a mall, only to be mocked at by her husband. In New York, she watches The Last Time I saw Paris in which the elegant Elizabeth Taylor wears a trench coat. Out steps Shashi, wearing a trench coat, in the peak of summer, right under the blazing sun. It’s a liberating moment for Shashi, and if you’ve ever been told what not to wear by someone, you will know exactly what it feels like.

Sridevi’s accessories

In true Maharashtrian style, Shashi dons minimal jewellery, wearing what most married Indian women wear- mangalsutra, thin gold bangles, gold baalis and tiny studs. Sometimes there’s a thin black watch, and of course there’s a bindi.

Shashi’s handbags are Hidesign’s Estelle and Arno- functional as multi-purpose bags to store a dozen things, including some stationery for English class. 🙂

Showing all posts tagged Bollywood

How to dress like Taapsee Pannu in Mulk

The year of badass women in films

Friday Films: Chutney and La La Land for food and fashion

Bollywood jewellery, Minawala style

Bollywood Fashion: Sonam Kapoor does a double desi, which Indian look should you wear?

Bollywood Fashion: Get Deepika Padukone’s Yeh Jawaani Hai Deewani looks in just one step

Chic Preview: Kai Po Che fashion is “nondescript” says Niharika Khan

Bollywood Fashion: Inkaar’s style will make you want to work in advertising

Magazine Update: Dior, Diesel steal covers in November

Bollywood Fashion: Sabyasachi dresses Sridevi as typical shypical housewife in English Vinglish