LFW W/F 2011 Day 4: Drashta makes waves, Rehane presents unfinished garments

Drashta
Marine life has served as inspiration to fashion designers since aeons, and Drashta Sarvaiya is among the most recent ones to have caught the bait (pun intended). At her show at Lakme Fashion Week Winter/Festive 2011, Drashta’s focus on marine life reflected in the fluid silhouettes, shell cut-outs and motifs, marine prints and colours that reflect the ocean (think aqua and sea green).

Model at Drashta LFW W/F 2011 Model at Drashta LFW W/F 2011

But that wasn’t all. Drashta also played with colours and detailing as she introduced pastels (mauve, pink) and neons (electric, fuchsia) on one-shoulder short and halter neck dresses with touches like capes and crystals.

Model at Drashta LFW W/F 2011 Model at Drashta LFW W/F 2011

The most interesting bit of her collection was the expert ruching along with the quirky accessories placed on the waist and neck. The accessories were handmade pieces created from pearl finish and hot neon leather, and coral shell and fish cut-outs. Cute!

Rehane
Rehane, the designer known for her baby doll and cocktail dresses, dared to step out of her comfort zone at Lakme Fashion Week Winter/Festive 2011 with a new concept. This all-white collection was created with raw mulmul and kora fabrics and left unfinished with notes to tailors for alterations. (You could read “Check line” and “Cut here” on skirts and blouses).

Model at Rehane LFW W/F 2011 Model at Rehane LFW W/F 2011

The models walked barefoot on the ramp in slow motion, their limbs, faces and hair covered in talcum powder. Rehane later said her collection was inspired by the purity of a woman “Meera”. But we also felt that somewhere among the purity was the woman who is lost, struggling to hold on to her innocence and on the verge of being delusional.

Despite the blank colour palette, Rehane had worked meticulously on garment construction and detailing. There were rouches, gathers and pleats on blouses and yokes, uneven hemlines and even cholis with cowls. Silhouettes were mixed, as a tunic was paired with a pencil skirt and a loose cover-up had an empire line gathered body.

Model at Rehane LFW W/F 2011 Model at Rehane LFW W/F 2011

We left the show with mixed feelings—a tinge of sadness (the mood was sombre), but happy because we had just seen a designer’s fresh take on fashion.

LFW W/F 2011 Day 2: Nachiket Barve, Little Shilpa, Swapnil Shinde interpret speed

On Day 2 of Lakme Fashion Week Winter/Festive 2011, DHL presented a trio of designers representing the future of fashion—Nachiket Barve, Little Shilpa and Swapnil Shinde. While all three designers are a few seasons old, their approach was fresh as they interpreted the brand’s theme—speed—in in their own personal ways.

Nachiket Barve
Seeking inspiration from the the fast-changing colours of a breath-taking sunset (The Golden Hour), Nachiket Barve used pink, golden, purple, and red hues in his garments and accessories. Playing on the ombré effect, the designer created saris, tunics, kurtas and dresses in his signature fluid style. Sequins, polki detailing, cutwork and applique were expertly used to create timeless global fashion wear. We also liked the matching neckpieces and clutches.

Nachiket Barve sari at LFW W/F 2011 Nachiket Barve shorts and blouse at LFW W/F 2011 Nachiket Barve wrap dress at LFW W/F 2011

Little Shilpa
Shilpa Chavan’s interpretation of speed was flight and the urban landscape—birds, wings, aeroplanes and skyscrapers. Her models walked the ramp encased in sky and clouds boxes made from packaging material, while the headgear was made with pleated ikat fabrics and feathers that framed the face. Aviator glasses were used as hair bands and glass pieces symbolised eflection.

Little Shilpa at LFW W/F 2011 Little Shilpa at LFW W/F 2011

Swapnil Shinde
Swapnil Shinde’s LFW W/F 2011 collection was based on sound waves, hence named “Speed of Sound”. Swapnil created ripple-inspired shapes with folds, pleats and drapes in fabrics chiffon, taffeta, organza, and crepe, along with materials like acrylic, PVC and leather. PVC rolls and tubes were the most cleverly-used embellishment (for lack of a better word), seen on the bodice, waist and shoulders of dresses and gowns. The soft drapes falling across the front of the garment in waves added to an elegant, high-fashion look.

Swapnil Shinde at LFW W/F 2011 Swapnil Shinde black dress with drape at LFW W/F 2011

Swapnil Shinde at LFW W/F 2011